Before he wrote The Fixer and won the Pulitzer Prize, Bernard Malamud, like so
many before him, was a humble high school student who submitted an essay to the
Scholastic Art and Writing Award for teenagers. Unlike so many before him, he
won.
The essay — about working in his father's grocery store — begins hesitantly. You can practically hear the 18-year-old clearing his throat, prevaricating over the best way to begin. But the story is rich and engaging, with a large cast of memorable characters: a "thin, pinched, little girl" miserable with poverty; a "richly dressed" woman who "heaved, rocked, tossed, and creaked" at a botched order; a delinquent kid who makes good for himself when Malamud's father declines to drop charges for theft.
Even when his writing veers into over-exuberance, it is full of sharp observations and startling imagery. We see glimpses of the writer Malamud was to become: a master of lyrical language and vernacular, preoccupied with class and social injustice. "I have seen the veneer scraped off life, exposing its plain, dull surface. Somehow, I have become less selfish, and more satisfied with my lot." This is talent in the raw — a short, must-read for fans of Jewish and American fiction.
The essay — about working in his father's grocery store — begins hesitantly. You can practically hear the 18-year-old clearing his throat, prevaricating over the best way to begin. But the story is rich and engaging, with a large cast of memorable characters: a "thin, pinched, little girl" miserable with poverty; a "richly dressed" woman who "heaved, rocked, tossed, and creaked" at a botched order; a delinquent kid who makes good for himself when Malamud's father declines to drop charges for theft.
Even when his writing veers into over-exuberance, it is full of sharp observations and startling imagery. We see glimpses of the writer Malamud was to become: a master of lyrical language and vernacular, preoccupied with class and social injustice. "I have seen the veneer scraped off life, exposing its plain, dull surface. Somehow, I have become less selfish, and more satisfied with my lot." This is talent in the raw — a short, must-read for fans of Jewish and American fiction.


Each year, through the Passover seder, we re-enact the
experience of our people’s liberation from slavery to freedom. The Haggadah
commands us that in every generation we are to experience the seder as if we
ourselves went out from Egypt to freedom. The seder reminds us that while we are
not literally slaves, our freedom may be affected by old attitudes, negative
thoughts, overwhelming worries or out-of-sync values. “Slavery does offer a
certain freedom that can be attractive: the freedom from responsibility for
yourself and others, the freedom from having to establish goals, figure out how
to reach them, or think beyond the moment. It takes strength and guts to walk
out of a known situation, which for all its pain, is predictable. It is human
nature to want to stay put within the stability of the status quo.” (Ross, “
The
entire school was taking a trip to the relatively new National Museum of
American Jewish History, located in Philadelphia. The museum, with thousands of
historic treasures, interactive exhibits, and multi-media presentations, has
caused many people to say that they could spend days there and not see
everything.