The series portrayed not just Jewish life or immigrant life—but girls’ lives
By Sara Ivry for Tablet
As
I child, did I love Sydney Taylor’s All-of-a-Kind-Family and its
sequels because there was a character with—more or less—my name? Was it
because Henny, the second of the five daughters, was a rascal, often up
to no good—for instance, soaking a dress borrowed from her sister in tea
to disguise a stain? Maybe it was because the family frolicking at a
city beach during the summer while their father toiled away seemed to be
having such a ball that I wanted to be there with them. It was all of
that and more. Beyond showing with such compassion the struggles that an
early 20th century immigrant family faced in New York City, Taylor also
conveyed wonder and romance about their lives—she raised them up from
the huddled masses and gave them pride of place in my imagination.
Probably in yours too.
All-of-a-Kind Family formed my earliest
impression of the immigrant experience in America. That says a lot given
that my own grandparents had come through Ellis Island and made their
way through New York City’s tenements before moving on to Boston’s north
shore or to Brooklyn, in both cases a decided step up. Taylor’s series
portrayed not just Jewish life or immigrant life—but girls’ lives too,
and even though their hijinx and quarrels took place decades before I
was to learn of them (and longer ago, still, than those kids reading
Taylor books now), the themes and struggles resonate still.
Related:
101 Great Jewish Books: All-of-a-Kind Family, Sydney Taylor (1951)
We Are Family
No comments:
Post a Comment